Peter Pan – A Changing Text

black and white drawing of a small Peter in a feathered hat fighting a much larger Hook in a coat on top of a rock
Illustration from Montiero Lobato’s Portuguese version of Peter Pan, 1935, Public Domain via Wikimedia Commons

Read or Listen

Peter and Wendy by J.M. Barrie

Below is the first chapter of the novelization of the play that was published in 1911. You’ll continue with the links to the plays five acts.

As you read, choose a quote or two that stands out to you from the different texts.

If you choose, you can listen to part of this chapter.

Read:

Peter Breaks Through – Chapter 1

All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this. One day when she was two years old she was playing in a garden, and she plucked another flower and ran with it to her mother. I suppose she must have looked rather delightful, for Mrs. Darling put her hand to her heart and cried, “Oh, why can’t you remain like this for ever!” This was all that passed between them on the subject, but henceforth Wendy knew that she must grow up. You always know after you are two. Two is the beginning of the end.

Of course they lived at 14, and until Wendy came her mother was the chief one. She was a lovely lady, with a romantic mind and such a sweet mocking mouth. Her romantic mind was like the tiny boxes, one within the other, that come from the puzzling East, however many you discover there is always one more; and her sweet mocking mouth had one kiss on it that Wendy could never get, though there it was, perfectly conspicuous in the right-hand corner.

The way Mr. Darling won her was this: the many gentlemen who had been boys when she was a girl discovered simultaneously that they loved her, and they all ran to her house to propose to her except Mr. Darling, who took a cab and nipped in first, and so he got her. He got all of her, except the innermost box and the kiss. He never knew about the box, and in time he gave up trying for the kiss. Wendy thought Napoleon could have got it, but I can picture him trying, and then going off in a passion, slamming the door.

Mr. Darling used to boast to Wendy that her mother not only loved him but respected him. He was one of those deep ones who know about stocks and shares. Of course no one really knows, but he quite seemed to know, and he often said stocks were up and shares were down in a way that would have made any woman respect him.

Mrs. Darling was married in white, and at first she kept the books perfectly, almost gleefully, as if it were a game, not so much as a Brussels sprout was missing; but by and by whole cauliflowers dropped out, and instead of them there were pictures of babies without faces. She drew them when she should have been totting up. They were Mrs. Darling’s guesses.

Wendy came first, then John, then Michael.

For a week or two after Wendy came it was doubtful whether they would be able to keep her, as she was another mouth to feed. Mr. Darling was frightfully proud of her, but he was very honourable, and he sat on the edge of Mrs. Darling’s bed, holding her hand and calculating expenses, while she looked at him imploringly. She wanted to risk it, come what might, but that was not his way; his way was with a pencil and a piece of paper, and if she confused him with suggestions he had to begin at the beginning again.

“Now don’t interrupt,” he would beg of her.

“I have one pound seventeen here, and two and six at the office; I can cut off my coffee at the office, say ten shillings, making two nine and six, with your eighteen and three makes three nine seven, with five naught naught in my cheque-book makes eight nine seven—who is that moving?—eight nine seven, dot and carry seven—don’t speak, my own—and the pound you lent to that man who came to the door—quiet, child—dot and carry child—there, you’ve done it!—did I say nine nine seven? yes, I said nine nine seven; the question is, can we try it for a year on nine nine seven?”

“Of course we can, George,” she cried. But she was prejudiced in Wendy’s favour, and he was really the grander character of the two.

“Remember mumps,” he warned her almost threateningly, and off he went again. “Mumps one pound, that is what I have put down, but I daresay it will be more like thirty shillings—don’t speak—measles one five, German measles half a guinea, makes two fifteen six—don’t waggle your finger—whooping-cough, say fifteen shillings”—and so on it went, and it added up differently each time; but at last Wendy just got through, with mumps reduced to twelve six, and the two kinds of measles treated as one.

There was the same excitement over John, and Michael had even a narrower squeak; but both were kept, and soon, you might have seen the three of them going in a row to Miss Fulsom’s Kindergarten school, accompanied by their nurse.

Mrs. Darling loved to have everything just so, and Mr. Darling had a passion for being exactly like his neighbours; so, of course, they had a nurse. As they were poor, owing to the amount of milk the children drank, this nurse was a prim Newfoundland dog, called Nana, who had belonged to no one in particular until the Darlings engaged her. She had always thought children important, however, and the Darlings had become acquainted with her in Kensington Gardens, where she spent most of her spare time peeping into perambulators, and was much hated by careless nursemaids, whom she followed to their homes and complained of to their mistresses. She proved to be quite a treasure of a nurse. How thorough she was at bath-time, and up at any moment of the night if one of her charges made the slightest cry. Of course her kennel was in the nursery. She had a genius for knowing when a cough is a thing to have no patience with and when it needs stocking around your throat. She believed to her last day in old-fashioned remedies like rhubarb leaf, and made sounds of contempt over all this new-fangled talk about germs, and so on. It was a lesson in propriety to see her escorting the children to school, walking sedately by their side when they were well behaved, and butting them back into line if they strayed. On John’s footer days she never once forgot his sweater, and she usually carried an umbrella in her mouth in case of rain. There is a room in the basement of Miss Fulsom’s school where the nurses wait. They sat on forms, while Nana lay on the floor, but that was the only difference. They affected to ignore her as of an inferior social status to themselves, and she despised their light talk. She resented visits to the nursery from Mrs. Darling’s friends, but if they did come she first whipped off Michael’s pinafore and put him into the one with blue braiding, and smoothed out Wendy and made a dash at John’s hair.

No nursery could possibly have been conducted more correctly, and Mr. Darling knew it, yet he sometimes wondered uneasily whether the neighbours talked.

He had his position in the city to consider.

Nana also troubled him in another way. He had sometimes a feeling that she did not admire him. “I know she admires you tremendously, George,” Mrs. Darling would assure him, and then she would sign to the children to be specially nice to father. Lovely dances followed, in which the only other servant, Liza, was sometimes allowed to join. Such a midget she looked in her long skirt and maid’s cap, though she had sworn, when engaged, that she would never see ten again. The gaiety of those romps! And gayest of all was Mrs. Darling, who would pirouette so wildly that all you could see of her was the kiss, and then if you had dashed at her you might have got it. There never was a simpler happier family until the coming of Peter Pan.

Mrs. Darling first heard of Peter when she was tidying up her children’s minds. It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places the many articles that have wandered during the day. If you could keep awake (but of course you can’t) you would see your own mother doing this, and you would find it very interesting to watch her. It is quite like tidying up drawers. You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.

I don’t know whether you have ever seen a map of a person’s mind. Doctors sometimes draw maps of other parts of you, and your own map can become intensely interesting, but catch them trying to draw a map of a child’s mind, which is not only confused, but keeps going round all the time. There are zigzag lines on it, just like your temperature on a card, and these are probably roads in the island, for the Neverland is always more or less an island, with astonishing splashes of colour here and there, and coral reefs and rakish-looking craft in the offing, and savages and lonely lairs, and gnomes who are mostly tailors, and caves through which a river runs, and princes with six elder brothers, and a hut fast going to decay, and one very small old lady with a hooked nose. It would be an easy map if that were all, but there is also first day at school, religion, fathers, the round pond, needle-work, murders, hangings, verbs that take the dative, chocolate pudding day, getting into braces, say ninety-nine, three-pence for pulling out your tooth yourself, and so on, and either these are part of the island or they are another map showing through, and it is all rather confusing, especially as nothing will stand still.

Of course the Neverlands vary a good deal. John’s, for instance, had a lagoon with flamingoes flying over it at which John was shooting, while Michael, who was very small, had a flamingo with lagoons flying over it. John lived in a boat turned upside down on the sands, Michael in a wigwam, Wendy in a house of leaves deftly sewn together. John had no friends, Michael had friends at night, Wendy had a pet wolf forsaken by its parents, but on the whole the Neverlands have a family resemblance, and if they stood still in a row you could say of them that they have each other’s nose, and so forth. On these magic shores children at play are for ever beaching their coracles. We too have been there; we can still hear the sound of the surf, though we shall land no more.

Of all delectable islands the Neverland is the snuggest and most compact, not large and sprawly, you know, with tedious distances between one adventure and another, but nicely crammed. When you play at it by day with the chairs and table-cloth, it is not in the least alarming, but in the two minutes before you go to sleep it becomes very real. That is why there are night-lights.

Occasionally in her travels through her children’s minds Mrs. Darling found things she could not understand, and of these quite the most perplexing was the word Peter. She knew of no Peter, and yet he was here and there in John and Michael’s minds, while Wendy’s began to be scrawled all over with him. The name stood out in bolder letters than any of the other words, and as Mrs. Darling gazed she felt that it had an oddly cocky appearance.

“Yes, he is rather cocky,” Wendy admitted with regret. Her mother had been questioning her.

“But who is he, my pet?”

“He is Peter Pan, you know, mother.”

At first Mrs. Darling did not know, but after thinking back into her childhood she just remembered a Peter Pan who was said to live with the fairies. There were odd stories about him, as that when children died he went part of the way with them, so that they should not be frightened. She had believed in him at the time, but now that she was married and full of sense she quite doubted whether there was any such person.

“Besides,” she said to Wendy, “he would be grown up by this time.”

“Oh no, he isn’t grown up,” Wendy assured her confidently, “and he is just my size.” She meant that he was her size in both mind and body; she didn’t know how she knew, she just knew it.

Mrs. Darling consulted Mr. Darling, but he smiled pooh-pooh. “Mark my words,” he said, “it is some nonsense Nana has been putting into their heads; just the sort of idea a dog would have. Leave it alone, and it will blow over.”

But it would not blow over and soon the troublesome boy gave Mrs. Darling quite a shock.

Children have the strangest adventures without being troubled by them. For instance, they may remember to mention, a week after the event happened, that when they were in the wood they had met their dead father and had a game with him. It was in this casual way that Wendy one morning made a disquieting revelation. Some leaves of a tree had been found on the nursery floor, which certainly were not there when the children went to bed, and Mrs. Darling was puzzling over them when Wendy said with a tolerant smile:

“I do believe it is that Peter again!”

“Whatever do you mean, Wendy?”

“It is so naughty of him not to wipe his feet,” Wendy said, sighing. She was a tidy child.

She explained in quite a matter-of-fact way that she thought Peter sometimes came to the nursery in the night and sat on the foot of her bed and played on his pipes to her. Unfortunately she never woke, so she didn’t know how she knew, she just knew.

“What nonsense you talk, precious. No one can get into the house without knocking.”

“I think he comes in by the window,” she said.

“My love, it is three floors up.”

“Were not the leaves at the foot of the window, mother?”

It was quite true; the leaves had been found very near the window.

Mrs. Darling did not know what to think, for it all seemed so natural to Wendy that you could not dismiss it by saying she had been dreaming.

“My child,” the mother cried, “why did you not tell me of this before?”

“I forgot,” said Wendy lightly. She was in a hurry to get her breakfast.

Oh, surely she must have been dreaming.

But, on the other hand, there were the leaves. Mrs. Darling examined them very carefully; they were skeleton leaves, but she was sure they did not come from any tree that grew in England. She crawled about the floor, peering at it with a candle for marks of a strange foot. She rattled the poker up the chimney and tapped the walls. She let down a tape from the window to the pavement, and it was a sheer drop of thirty feet, without so much as a spout to climb up by.

Certainly Wendy had been dreaming.

But Wendy had not been dreaming, as the very next night showed, the night on which the extraordinary adventures of these children may be said to have begun.

On the night we speak of all the children were once more in bed. It happened to be Nana’s evening off, and Mrs. Darling had bathed them and sung to them till one by one they had let go her hand and slid away into the land of sleep.

All were looking so safe and cosy that she smiled at her fears now and sat down tranquilly by the fire to sew.

It was something for Michael, who on his birthday was getting into shirts. The fire was warm, however, and the nursery dimly lit by three night-lights, and presently the sewing lay on Mrs. Darling’s lap. Then her head nodded, oh, so gracefully. She was asleep. Look at the four of them, Wendy and Michael over there, John here, and Mrs. Darling by the fire. There should have been a fourth night-light.

While she slept she had a dream. She dreamt that the Neverland had come too near and that a strange boy had broken through from it. He did not alarm her, for she thought she had seen him before in the faces of many women who have no children. Perhaps he is to be found in the faces of some mothers also. But in her dream he had rent the film that obscures the Neverland, and she saw Wendy and John and Michael peeping through the gap.

The dream by itself would have been a trifle, but while she was dreaming the window of the nursery blew open, and a boy did drop on the floor. He was accompanied by a strange light, no bigger than your fist, which darted about the room like a living thing and I think it must have been this light that wakened Mrs. Darling.

She started up with a cry, and saw the boy, and somehow she knew at once that he was Peter Pan. If you or I or Wendy had been there we should have seen that he was very like Mrs. Darling’s kiss. He was a lovely boy, clad in skeleton leaves and the juices that ooze out of trees but the most entrancing thing about him was that he had all his first teeth. When he saw she was a grown-up, he gnashed the little pearls at her.

As you read the text, what quotes did you have a strong response to? Please post it below and explain why you chose it. What does the quote you picked reveal about the tone of Barrie’s story?

Comments

18 responses to “Peter Pan – A Changing Text”

  1. Brittany Giler Avatar
    Brittany Giler

    The quote ”all children, except one, grow up this is a reflection on the passage of time and the loss of childhood innocence. It suggests that while most children eventually grow up, there’s a part of us that longs to retain the wonder and imagination of youth.
    Also the quote”Never say goodbye because goodbye means going away and going away means forgetting.” Basically, the quote conveys the idea that by avoiding goodbyes, we can preserve relationships and memories. It reflects the human desire for connection and the fear of loss. Barries tone in this story is celebrating the magic of childhood while acknowledging its inevitable end.

    1. Alexa Mendez Avatar
      Alexa Mendez

      I agree that this quote is the most significant because it basically sums up the story on time. Its important because one main aspect of the story is not wanting to grow up which Wendy deals with.

  2. Anthea longville Avatar
    Anthea longville

    The quote, “All children, except one, grow up”, sets the tone for the story by introducing Peter Pan as the only child who never grows up. Another quote is, “Oh, Why can’t you remain like this for ever!” speaks about a yearning to preserve the innocence of purity, and joy of childhood. In this quote the story deals with the tension between childhood and the changes that comes with growing up.

  3. Selina Chen Avatar
    Selina Chen

    I found that the quote, “Children have the strangest adventures without being troubled by them” kind of captures the whimsical and carefree nature of childhood, suggesting that children navigate their imaginative worlds. I think this quote reflects a tone of innocence and joy that permeates Barrie’s story.

  4. Amy Khait Avatar
    Amy Khait

    The quote “Children have the strangest adventures without being troubled by them” left an impression on me because it reminded me of how innocent and carefree children are. It brought me back to a time when there was no worries for me. It also further showed me how children can be so creative and can get swept up in their own worlds and imaginations. This quote is powerful to me because I find it to be relatable and also is an important part of the story.

    1. Ariana Loyfman Avatar
      Ariana Loyfman

      I agree that this quote stands out. The first thing that came to my mind when I read this is that most children do not have responsibilities and are very innocent and so they are able to explore and have different moments of adventure without having any worries or fear. As well, children often do not know about certain realities and do not think about the negative consequences that might be the outcome of certain adventures, and so children have less fear and worry and are able to be adventures, fun, and joyful without the fears and negativity that adults might have.

  5. Victoria Lucenti Avatar
    Victoria Lucenti

    The quote, “She dreamt that the Neverland had come too near and that a strange boy had broken through from it. He did not alarm her, for she thought she had seen him before in the faces of many women who have no children. Perhaps he is to be found in the faces of some mothers also. But in her dream he had rent the film that obscures the Neverland, and she saw Wendy and John and Michael peeping through the gap.” resonated with my own understanding of the tone and structure of the story. This quote connects to character who is a “strange boy”, in reference to Peter Pan, and focuses on the overall ending and theme of how imagination crosses over into reality, just as the characters from the story.

  6. Mahnoor Avatar
    Mahnoor

    “Of all delectable islands the Neverland is the snuggest and most compact, not large and sprawly, you know, with tedious distances between one adventure and another, but nicely crammed. When you play at it by day with the chairs and table-cloth, it is not in the least alarming, but in the two minutes before you go to sleep it becomes very real. That is why there are night-lights.”

    This quote highlights the concept of Neverland and what it is like for children, touching on the idea of imagination for kids. It reveals how Barrie has made the concept of Neverland comforting and a place of peace. However, the mention of it being very real and the need for night lights adds a complex and unsettling nature to it as well.  

  7. Kateryna Senkovych Avatar
    Kateryna Senkovych

    “You would see her on her knees, I expect, lingering humorously over some of your contents, wondering where on earth you had picked this thing up, making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight. When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.”
    I found this quote very interesting. I don’t quite understand what the author meant when he wrote it. I try to imagine what he could have meant by it but I don’t quite understand how the mother can go through the children’s minds to “clean” them.

  8. VANESSA Avatar
    VANESSA

    “When you wake in the morning, the naughtiness and evil passions with which you went to bed have been folded up small and placed at the bottom of your mind and on the top, beautifully aired, are spread out your prettier thoughts, ready for you to put on.”
    This quote really stood out to me because it makes methinks about how magical life really is. Sure we stress and go through hardships but we always have to remember about the good things we have and appreciate them. Learn to lead with a positive attitude and be kind to one another.

    “Two is the beginning of the end.”
    This quote also stood out to me because I think about my own daughter and notice all the changes going on in her world. 2 is such a precious moment, you aren’t a baby anymore but you aren’t a toddler just yet. You’re learning through your environment and are being molded by those around you. You are striving and many changes are going on within you.

  9. Ashley Dai Avatar
    Ashley Dai

    “He got all of her, except the innermost box and the kiss. He never knew about the box, and in time he gave up trying for the kiss.”
    – I think the language here is beautiful and mysterious and does a good job at setting the tone of the story in terms of the realism of secrecy and inner worlds and the protection, delight, and potential damage they offer. I think it also briefly speaks to the adult nature of deciding what is “worth it” in terms of spending their time and mental space.

    “It is the nightly custom of every good mother after her children are asleep to rummage in their minds and put things straight for next morning, repacking into their proper places… making discoveries sweet and not so sweet, pressing this to her cheek as if it were as nice as a kitten, and hurriedly stowing that out of sight.“
    – This quote, to me, addresses that omission of truth, regardless of intention, is a form of control and a conduct of impurity in order to maintain purity.

    “My mother was fonder of me than your mothers were of you. (Uproar.) Oh yes, she was. Peter had to make up names for you, but my mother had wrote my name on the pinafore I was lost in. ‘Slightly Soiled’; that’s my name.”
    – This quote stuck out to me for both its obvious humor and its subtle grief. There is innocence in Slightly’s understanding of his name beyond that of unknown vocabulary. Names are intertwined with identity. In this quote we can see the yearning for a connection, and the pride that comes with the knowledge of one’s past & the assurance of love. Slightly’s namesake is literally on every caretaker’s list of annoyances.

    “Almost everything is a descendant.”
    – This quote stuck out to me due to its matter-of-fact tone. It is a fact to Wendy that everything, not just people, is part of something greater than oneself; being part of a family is natural and more importantly, universal.

    WENDY. It is so queer that the stories you like should be the ones about yourself.
    – I like this quote a lot because I think it is one of the most meta statements/sentiments in Barrie’s work. It is an iceberg of a saying, especially for Peter Pan!

  10. Tory Sen Avatar
    Tory Sen

    “All children, except one, grow up. They soon know that they will grow up, and the way Wendy knew was this.”

    This quote struck a chord with me because it shows both the sadness and joy of growing up and the magic of the one exception, Peter Pan. It shows Barrie’s mood of longing and reflection, mixing the happiness of youth with the sadness of knowing it’s short. The way Mrs. Darling describes Wendy’s realization and her exclamation captures a universal moment of innocence giving way to knowledge. This theme of the tension between childhood and adulthood is a big part of the story.

  11. Kaylee Pontone Avatar
    Kaylee Pontone

    (They have long lost count of the days, but always if they want to do anything special they say this is Saturday night, and then they do it.)

    I love this quote because it really captures the carelessness and playfulness of being a little kid, more specifically how boys act with their friends. It makes me nostalgic, something I realize is the overarching feeling of the story once you’re an adult that you miss as a kid. It’s about not growing up and as a kid you still haven’t.

  12. Michelle Cortes Rodriguez Avatar
    Michelle Cortes Rodriguez

    The quote that grab my attention was “Children have the strangest adventures without being troubled by them.” The reason why I chose this quote was because it implies children can have an imagination without it causing any fear or pain.

  13. Emma Avatar
    Emma

    Children have the strangest adventures without being troubled by them.” I chose this quote because I have seen it first hand with my younger cousin. She is very playful and always laughing so when we hear her laugh from her room we never think much of it. I remember one day we asked her what was so funny and she said it was because of her friend in her room, there was no friend in there. It showed me how children’s imaginations or their sense of the world is so much deeper than we can understand. We will never know if it was just her strong imagination or something else and that terrified us, but for her to be so happy and laughing about it showed that she was not troubled or bothered by something that scared adults.

  14. Amna Syeda Avatar
    Amna Syeda

    The quote “All children, except one, grow up” stands out because it introduces the main idea of Peter Pan, the boy who never grows up. It highlights the contrast between childhood innocence and the adult world, creating a nostalgic and bittersweet tone. It also emphasizes childhood as a time of freedom and imagination.

  15. Naurah Romulus Avatar
    Naurah Romulus

    One quote that stood out to me is, “All children, except one, grow up. … Two is the beginning of the end.” This line sets a bittersweet tone about Peter Pan, showing how growing up is something all children must face, except Peter, who magically avoids it. The phrase “two is the beginning of the end” reminds me of how Peter feels about growing up, which is dread. Barrie’s tone sounds very playful but also has a sadness of childhood not lasting forever. It seems like he focuses both on the greatness of childhood and the inevitable reality of it all, which is growing up.

  16. Jaylyn Calles Avatar
    Jaylyn Calles

    As you read the text, what quotes did you have a strong response to? Please post it below and explain why you chose it. What does the quote you picked reveal about the tone of Barrie’s story?
    ”He was a lovely boy, clad in skeleton leaves and the juices that ooze out of trees but the most entrancing thing about him was that he had all his first teeth.” The reason why i chose this quote is because its very descriptive. The quote describes the vision she has for peter pan and how she wants to portray him.

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